![]() Image via Gaumont-British Picture Corporation Enter, The Man Who Knew Too Much, a pair of suspense thrillers released twenty-two years apart that marked the only time when the revered director would recycle a premise across his illustrious six decades in the business. ![]() ![]() Either way, it’s an experiment that is never boring – especially when it’s being conducted by none other than the “Master of Suspense” himself, Alfred Hitchcock. Takedown as his magnum opus, Heat) or as a means of reframing the themes of the original to make them even more profound (as Michael Haneke demonstrated with Funny Games, his 2007 shot-for-shot remake of his 1997 film of the same name). The reason for such endeavors varies wildly, ranging from trying to unleash an idea’s true potential after it had previously been squandered (such as Michael Mann reconfiguring L.A. Of course, remakes themselves are nothing unusual, but taking it upon yourself to retell a story you’ve already told is bound to elicit curiosity. It’s always an interesting prospect when a director remakes their own film. ![]()
0 Comments
Leave a Reply. |